All We Imagine As Light review – dreamlike and gentle modern Mumbai tale is a triumph
Cannes film festival
Payal Kapadia’s glorious Cannes competition selection is an absorbing story of three nurses that is full of humanity
There is a freshness and emotional clarity in Payal Kapadia’s Cannes competition selection, an enriching humanity and gentleness which coexist with fervent, languorous eroticism and finally something epiphanic in the later scenes and mysterious final moments. Kapadia’s storytelling has something of Satyajit Ray’s The Big City and Days and Nights of the Forest; it is so fluent and absorbing.
All We Imagine As Light is the story of three nurses in modern-day Mumbai: Prabha (Kani Kusruti), Anu (Divya Prabha) and Parvaty (Chhaya Kadam). Each has come to the big city from smaller home towns. Prabha and the younger, flightier Anu are roommates and Anu (having only just moved in) is already asking the more sober and sensible Prabha to cover her share of the rent. She is also causing some scandal among the more gossipy elements of the hospital on account of her Muslim boyfriend, Shiaz (Hridu Haroon). Meanwhile, the older Parvaty, a widow, is being threatened with eviction because a property developer has bought her apartment building and her late husband did not leave her the documentation that would prove her resident’s right to remain, or at least to get compensation.
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