Phil Grabsky and Shoaib Sharifi have followed Mir for two decades in what is almost a brutal companion piece to Richard Linklater’s Boyhood
This documentary following one boy’s life in Afghanistan feels like a brutal, desperately sad companion piece to Richard Linklater’s Boyhood. Its co-directors, the British documentary-maker Phil Grabsky and Shoaib Sharifi, first started filming Mir Hussein aged seven in 2002, and they haven’t stopped. They have already made two previous films – The Boy Who Plays on the Buddhas of Bamiyan (2004) and The Boy Mir: Ten Years in Afghanistan (2011) – and this third gives us the complete picture: Mir pulled along by time’s current from boyhood to the present day, married with three kids in Kabul. To be honest, it’s the opposite of life-affirming.
The story begins in 2002, a year after 9/11. US troops have landed in Afghanistan. Seven-year-old Mir is living with his family in a cave in Bamiyan, having fled their village. They are grindingly poor, but little Mir giggles as he shows the film-makers his “bedroom” in the cave. He grins as a fighter jet roars overhead. “We thought that the Americans would rebuild our country,” Mir remembers on the voiceover, without a trace of bitterness.
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