{"id":66181,"date":"2024-08-12T14:00:32","date_gmt":"2024-08-12T05:00:32","guid":{"rendered":"https:\/\/www.theguardian.com\/global-development\/gallery\/2024\/aug\/12\/deepti-asthana-photographic-documentary-women-rural-india-rajasthan-thar-desert-in-pictures"},"modified":"2024-08-12T14:00:32","modified_gmt":"2024-08-12T05:00:32","slug":"pushing-the-boundaries-indian-women-in-a-mans-world-in-pictures","status":"publish","type":"post","link":"https:\/\/eastasianews.net\/wp\/?p=66181","title":{"rendered":"Pushing the boundaries: Indian women in a man\u2019s world \u2013 in pictures"},"content":{"rendered":"<p><a href=\"https:\/\/www.deeptiasthana.com\/Final-projects\/A-thousand-thorns\">A Thousand Thorns<\/a> is a project by photographer Deepti Asthana documenting women\u2019s changing aspirations in rural India through the story of two young female forest guards in Rajasthan\u2019s Thar desert. Theirs is a scenario playing out in millions of homes \u2013 of the fight for equality and independence in a deeply patriarchal society<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/global-development\/gallery\/2024\/aug\/12\/deepti-asthana-photographic-documentary-women-rural-india-rajasthan-thar-desert-in-pictures\">Continue reading&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Thousand Thorns is a project by photographer Deepti Asthana documenting women\u2019s changing aspirations in rural India through the story of two young female forest guards in Rajasthan\u2019s Thar desert. Theirs is a scenario playing out in millions of homes &#8230;<\/p>\n","protected":false},"author":4374,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[91,71,65,59,62,92,79,61,281,42],"tags":[],"class_list":["post-66181","post","type-post","status-publish","format-standard","hentry","category-art-and-design","category-culture","category-environment","category-global-development","category-india","category-photography","category-society","category-south-and-central-asia","category-women","category-world-news"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/66181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/4374"}],"replies":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=66181"}],"version-history":[{"count":1,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/66181\/revisions"}],"predecessor-version":[{"id":66182,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/66181\/revisions\/66182"}],"wp:attachment":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=66181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=66181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=66181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}