{"id":65299,"date":"2024-07-01T19:00:11","date_gmt":"2024-07-01T10:00:11","guid":{"rendered":"https:\/\/www.theguardian.com\/global-development\/article\/2024\/jul\/01\/myanmar-shan-refugees-thailand-textile-artist-jakkai-siributr-weaving-venice-biennale"},"modified":"2024-07-01T19:00:11","modified_gmt":"2024-07-01T10:00:11","slug":"thai-artist-gives-voice-to-myanmars-shan-refugees-at-venice-and-bangkok-biennales","status":"publish","type":"post","link":"https:\/\/eastasianews.net\/wp\/?p=65299","title":{"rendered":"Thai artist gives voice to Myanmar\u2019s Shan refugees at Venice and Bangkok biennales"},"content":{"rendered":"<p>Themes of displacement and diaspora explored in collaborative textile project as part of The Spirits of Maritime Crossing exhibition in Venice and Bangkok<\/p>\n<p>The Koung Jor refugee camp on the Thai-Myanmar border is just three and half hours from Jakkai Siributr\u2019s home in Chiang Mai. But it was only during a visit in 2019 that the Thai textile artist learned about the ordeals of the Shan refugees living there.<\/p>\n<p>That visit inspired a collaborative embroidery project, with participation from 20 girls and women from the Shan ethnic minority living in the camp in northern Thailand, who were invited to sew images and words of their choice.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/global-development\/article\/2024\/jul\/01\/myanmar-shan-refugees-thailand-textile-artist-jakkai-siributr-weaving-venice-biennale\">Continue reading&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Themes of displacement and diaspora explored in collaborative textile project as part of The Spirits of Maritime Crossing exhibition in Venice and BangkokThe Koung Jor refugee camp on the Thai-Myanmar border is just three and half hours from Jakkai Sir&#8230;<\/p>\n","protected":false},"author":446,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[546,91,41,71,59,82,494,85,61,93,42],"tags":[],"class_list":["post-65299","post","type-post","status-publish","format-standard","hentry","category-art","category-art-and-design","category-asia-pacific","category-culture","category-global-development","category-myanmar","category-refugees","category-rohingya","category-south-and-central-asia","category-thailand","category-world-news"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/65299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/446"}],"replies":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65299"}],"version-history":[{"count":1,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/65299\/revisions"}],"predecessor-version":[{"id":65300,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/65299\/revisions\/65300"}],"wp:attachment":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}