{"id":39892,"date":"2021-12-18T04:00:38","date_gmt":"2021-12-17T19:00:38","guid":{"rendered":"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2021\/dec\/18\/images-of-india-from-courtesans-and-colonial-rule-to-a-childs-eye-view-in-pictures"},"modified":"2021-12-18T04:00:38","modified_gmt":"2021-12-17T19:00:38","slug":"images-of-india-from-courtesans-and-colonial-rule-to-a-childs-eye-view-in-pictures","status":"publish","type":"post","link":"https:\/\/eastasianews.net\/wp\/?p=39892","title":{"rendered":"Images of India: from courtesans and colonial rule to a child\u2019s-eye view \u2013 in pictures"},"content":{"rendered":"<p>Since its invention in the 1840s, photography has played an integral part in Indian art history. Although it is often said that <a href=\"https:\/\/www.theguardian.com\/world\/india\">India<\/a> is the most photographed country in the world, the history of its representation is more complicated, and more political, than initially meets the eye. Visions of India: From the Colonial to the Contemporary is the first major survey of Indian photography in Australia and will be on show at the Monash Gallery of Art in Melbourne until 20 March 2022<\/p>\n<ul>\n<li><a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2017\/nov\/27\/illuminating-india-photography-1857-2017\">Illuminating India: photography 1857\u20132017<\/a><\/li>\n<\/ul>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2021\/dec\/18\/images-of-india-from-courtesans-and-colonial-rule-to-a-childs-eye-view-in-pictures\">Continue reading&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since its invention in the 1840s, photography has played an integral part in Indian art history. Although it is often said that India is the most photographed country in the world, the history of its representation is more complicated, and more politic&#8230;<\/p>\n","protected":false},"author":31,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[546,91,749,71,62,503,92,61,47],"tags":[],"class_list":["post-39892","post","type-post","status-publish","format-standard","hentry","category-art","category-art-and-design","category-colonialism","category-culture","category-india","category-indigenous-peoples","category-photography","category-south-and-central-asia","category-us-news"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/39892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39892"}],"version-history":[{"count":1,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/39892\/revisions"}],"predecessor-version":[{"id":39893,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/39892\/revisions\/39893"}],"wp:attachment":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}