{"id":37731,"date":"2021-10-06T14:00:18","date_gmt":"2021-10-06T05:00:18","guid":{"rendered":"https:\/\/www.theguardian.com\/global-development\/2021\/oct\/06\/we-want-dignity-the-vanishing-craft-of-kashmirs-papier-mache-artists"},"modified":"2021-10-06T14:00:18","modified_gmt":"2021-10-06T05:00:18","slug":"we-want-dignity-the-vanishing-craft-of-kashmirs-papier-mache-artists","status":"publish","type":"post","link":"https:\/\/eastasianews.net\/wp\/?p=37731","title":{"rendered":"\u2018We want dignity\u2019: the vanishing craft of Kashmir\u2019s papier-mache artists"},"content":{"rendered":"<p>Award-winning artist Maqbool Jan is one of a handful still practising the ancient artform, but without government help he fears it could be lost<\/p>\n<p>Kashmir\u2019s ancient papier-mache artworks are famous throughout the world. The art form is a staple of the luxury ornamental market, and has a rich and long cultural lineage. It is closely associated with the advent of Islam in Kashmir, and depicts scenes from the Mughal court, Arabic verses from the Qu\u2019ran, Persian poetry, as well as Kashmir\u2019s iconic tourist attractions.<\/p>\n<p>However, this ancient art form is vanishing, with only a handful of artisans left practising.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/global-development\/2021\/oct\/06\/we-want-dignity-the-vanishing-craft-of-kashmirs-papier-mache-artists\">Continue reading&#8230;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Award-winning artist Maqbool Jan is one of a handful still practising the ancient artform, but without government help he fears it could be lostKashmir\u2019s ancient papier-mache artworks are famous throughout the world. The art form is a staple of the lux&#8230;<\/p>\n","protected":false},"author":2259,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sns_share_botton_hide":"","vkExUnit_sns_title":"","_vk_print_noindex":"","sitemap_hide":"","_veu_custom_css":"","veu_display_promotion_alert":"","vkexunit_cta_each_option":"","footnotes":""},"categories":[546,91,2381,71,59,62,432,61,42],"tags":[],"class_list":["post-37731","post","type-post","status-publish","format-standard","hentry","category-art","category-art-and-design","category-arts-policy","category-culture","category-global-development","category-india","category-kashmir","category-south-and-central-asia","category-world-news"],"veu_head_title_object":{"title":"","add_site_title":""},"_links":{"self":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/2259"}],"replies":[{"embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37731"}],"version-history":[{"count":1,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37731\/revisions"}],"predecessor-version":[{"id":37732,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/37731\/revisions\/37732"}],"wp:attachment":[{"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eastasianews.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}